Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
Mary Hoffman has said that what she likes best when writing historical fiction is plenty of facts but a great big gap at the centre. That’s how she came to write about Gabriele, her imagined model for Michelangelo’s iconic sculpture.
Renaissance Florence is full of rivalries, intrigues, and conflicts, into which this unworldly youth is plunged, at first manipulated, later learning to find his way and decide where his loyalties lie. With a strong narrative pace and sumptuous detail of fashionable Florentine society, the story creates a believable background to one of the world’s most famous and recognisable masterpieces.
Michelangelo's statue of David is renowned all over the world. Thousands flock to Florence to admire the artistry behind this Renaissance masterpiece, and to admire the beauty of the human form captured in the marble. But the identity of the model for this statue that has been so revered for over five hundred years has been lost ...In this epic story Mary Hoffman uses her persuasive narrative skills to imagine the story of Gabriele, an eighteen-year-old who, by becoming Michelangelo's model, finds himself drawn into a world of spies, politicking, sabotage and murder. Set against the backdrop of Florence, this…
This is a great introduction to the architecture of cathedrals, abbeys, and churches—a friendly guided tour of various periods, styles, and techniques that shows us how buildings and carvings in stone have evolved. New cathedrals in their day represented state-of-the-art magnificence, inspiring awe, and they continue to do so now.
If you wonder how weighty stone can soar heavenwards, take on lacy airiness, and capture light, this book will help you to appreciate the skills, craftsmanship, and often bravery required of masons whose names are usually unknown to us.
Visiting historic buildings is one of Britain's most popular pursuits. But, all too often, visitors are frustrated by existing guidebooks, which assume much prior knowledge of architectural history and terms. This highly illustrated, accessible book presents a completely new look at cathedrals, abbeys and churches through the eyes of a vastly experienced working stone-mason. Thomas Maude uses well-chosen historical and technical information, colourful anecdote and his hands-on knowledge of building structures and technique to convey the excitement which they hold in store. This remarkable and engaging book will help any visitor understand and enjoy the medieval ecclesiastical buildings of Britain…
A fake date, romance, and a conniving co-worker you'd love to shut down. Fun summer reading!
Liza loves helping people and creating designer shoes that feel as good as they look. Financially overextended and recovering from a divorce, her last-ditch opportunity to pitch her firm for investment falls flat. Then…
I love Sue Gee’s writing; she is such a keen observer of the natural world and of the complexities and nuances of human relationships. This, set in the years following the First World War, concerns a group of artists who meet at the Slade School of Art, then form enduring relationships.
Painter Walter Cox and wood-engraver Sarah are joined by sculptor Euan, whose carvings explore the deep trauma of warfare and loss; watching him work in stone, Walter knows: ‘This was the real thing...a marriage between man and material which felt entire, complete.’
Sue Gee’s characters are so real that we feel thoroughly immersed in the period and their lives, both in the London art scene and in the Kentish countryside.
In the aftermath of the First World War, the painter Walter Cox cherishes the place of his childhood to keep the pulse of his art alive. Haunted by his work, his young daughter Meredith has her own fight: to quell the power of her inner life.
Deeply affecting, shot through with a shimmering apprehension of the natural world, EARTH AND HEAVEN is about life's fragility, and the power of love and painting to disturb, renew and reveal us to ourselves.
Burntcoat is the name of the home, a converted warehouse, of sculptor Edith Harkness’s home, and also of a Japanese technique she’s mastered in which wood is almost destroyed by fire, then charcoal is scraped off to reveal the beauty of the grain beneath.
The story is set in a pandemic, of a disease more rampant and deadly than the recent COVID-19, and Edith is working on a monumental piece to commemorate those lost. Her character blends defiance and acceptance; her story of intense physical love and searing loss, moving back and forth in time, is told with measured calmness. Although this is a relatively short novel, it feels big and expansive.
An electrifying story of passion, connection and transformation from 'a writer of show-stopping genius' (Guardian).
'Dark and brilliant.' SARAH MOSS 'A masterpiece.' DAISY JOHNSON 'Extraordinary.' SARAH PERRY 'Searing... Sarah Hall's best work yet.' JON McGREGOR
You were the last one here before I closed the door of Burntcoat, before we all shut our doors.
In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. The symptoms are well known: her life will draw to an end in the coming days.
Downstairs, the studio is a crucible glowing with memories and desire.…
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…
This book includes one of the most famous portrayals of a sculpture on stage, and is one of my favorite Shakespeare plays. One of his later works, it combines a story very like the tragedy of Othello with a second half that has an entirely different mood of youth and hope, love, and redemption.
In the play’s final scene (spoiler alert!), a party including King Leontes and his newly-found daughter, Perdita, gathers to admire the work of a celebrity sculptor, Julio Romano. The statue perfectly depicts Leontes’ wronged wife, Hermione, whom he believed dead.
In this glorious moment, Hermione comes back to him in the form of a living statue stepping down from its pedestal. There’s a delightful ballet version of the play, too.
The Winter's Tale, one of Shakespeare's very late plays, is filled with improbabilities. Before the conclusion, one character comments that what we are about to see, "Were it but told you, should be hooted at / Like an old tale."
It includes murderous passions, man-eating bears, princes and princesses in disguise, death by drowning and by grief, oracles, betrayal, and unexpected joy. Yet the play, which draws much of its power from Greek myth, is grounded in the everyday.
A "winter's tale" is one told or read on a long winter's night. Paradoxically, this winter's tale is ideally seen rather…
"How can I truthfully tell you I'm sorry, when the worst thing I ever did has turned out to be the best?"
Bridget feels compromised. By marrying Anthony Harper and moving to Wildings, his family home for three generations, she's abandoned her urban roots for rural affluence and comfort she hasn't earned. As Anthony becomes increasingly difficult and their marriage founders, she immerses herself in her new career as gardener and designer. Conscience urges her to leave him; but with her identity and status so closely bound to the garden she knows intimately, how can she? Soon circumstances mean that a split with Anthony is at first essential, then impossible ...
When Meg, a young stonemason, rents a workshop at Wildings, she wants only to be independent and alone. In the exacting craft of cutting letters in stone she finds meaning and purpose, her one true thing. But in spite of her resolve to avoid emotional attachments, she's drawn into intense relationships: with Bridget and with Adam, another artist-in-residence whose confident manner and bold abstract paintings mask deep inner conflict. She finds herself caught between competing claims of loyalty, trust and desire.
A generation on, Jane, the youngest Harper daughter, is left aimless and adrift when Anthony dies suddenly, with the surprise in his Will that he had another son, unknown to the family. Now Wildings must be sold. Everything is in turmoil - work, home, her on-off relationship with Tom. Who is the stranger who's to inherit a third of the estate? Where will she go, and how will she face the future alone? Aware that Meg and her mother each had an absorbing focus for their energy and passion, she is unsure where to find her own - but without it, what's the purpose of her life?
Now far from Wildings, but bound by a promise to support Jane, Meg is unable to be honest about the secrets she knows from both parents - or thinks she knows. Having thought of herself as the observer who saw everything, she's forced to realise how much she failed to see - and the cost to herself and to those she loves.
When the ground shifts, where is one true thing to be found?
When an EMP brings down the power grid, Dr. Anna Hastings must learn what it means to be a doctor in a world deprived of almost all technology. She joins devoted father Mark Ryan and his young daughter on a perilous journey across a thousand miles of backcountry trails.
Secrets, lies, and second chances are served up beneath the stars in this moving novel by the bestselling author of This Is Not How It Ends. Think White Lotus meets Virgin River set at a picturesque mountain inn.
Seven days in summer. Eight lives forever changed. The stage is…
